One
of the techniques used in my jewelry is lampworking. I start
in a flame that is 2,300 degrees, gently waving a glass rod
across the flame. It starts to glow and becomes ready to melt.
Once a sufficient amount of glass has melted and balled up
at the end of the rod, I let it drip onto a spinning mandrel
where it becomes a bead. Then the inspiration is added and
hopefully a beautiful bead emerges. Then my baby goes into
a fiber blanket to cool down slowly. Once the cooling has
occurred, I put my babies into the digitally-controlled kiln
overnight to anneal properly. The final step is to remove
the bead from the mandrel and clean the hole of the bead.
The babies are then ready to be used in necklaces, bracelets
or anything else that your imagination can come up with.
The other technique used in my jewelry is fusing dichroic
glass. Most of my pendants are made from dichroic
glass; “di” - 2 and “chroic” - color.
Dichroic glass
reflects one color and transmits another. It is a most gorgeous
medium that was first developed by NASA for use in satellite
mirrors. There are many layers of metal oxides vacuumed onto
the glass, making it highly reflective and colorful. The brilliance
of the glass makes it highly desirable for jewelry. I fuse
from two to four layers of dichroic
glass together; the layers give the glass a holographic look.
Then I shape the glass with cutters, grinders, and/or saws.
Another firing in a kiln heated up to 1,500 degrees polishes
the sharp edges of the piece. Then the glass cabochons are
ready to be used in creating pendants, bracelets or earrings.